Rubber-faced, hyperkinetic Jim Carrey went from a life of poverty in his native Canada to become the highest-priced comic actor in the known universe. Encouraged by his father, he began performing routines at stand-up clubs in Toronto at age 15. While not exactly winning over the crowds then, Carrey returned to the same venue two years later with a more polished delivery and caught the attention of booking agents who hired him to open for Rodney Dangerfield in Las Vegas. Again, his relative youth worked against him and he returned north where he acted in the made-for-Canadian TV-movie "Rubberface" (1981), playing a struggling stand-up comic.
After appearing on "The Tonight Show", Carrey caught his first feature role as a draft dodger whose faked death is unwittingly unmasked by a con artist in Richard Lester's quirky comedy "Finders Keepers" (1984). He fared better as a naive cartoonist in the "The Duck Factory" (NBC, 1984), a lively failure from producer Jay Tarses about life in an animation studio. Carrey began to alternate between working comedy clubs (where his impressions and pliable body language kept his star on ascent) and supporting roles in features, notably as a back-up singer buddy to Nicolas Cage in "Peggy Sue Got Married" (1986). The comic also landed parts in two Buddy Van Horn-directed Clint Eastwood vehicles, "The Dead Pool" (1988) and "Pink Cadillac" (1989), after Eastwood had seen Carrey do an impression of him. But it took his joining the ensemble of Fox's "In Living Color" in 1990 for him to have the opportunity to truly flaunt his prodigious talent. Though Keenan and Damon Wayans received the lion's share of the credit, it was Carrey's presence (as the "white guy") from the outset that was integral to the show's phenomenal success.
Carrey made the leap to feature leading man with the surprise smash "Ace Ventura: Pet Detective" (1994). A non-stop showcase for his distinctive brand of physical and verbal humor, "Ace" featured outrageous riffs, including an extended sequence where he talked out of his butt. While most critics dismissed the film, audiences flocked to the theaters and made Carrey bankable. "The Mask" (1994), filmed back-to-back with "Ace", firmly established his box-office clout as it garnered over $20 million in its first weekend. Here he played an everyday schlub who finds a magical mask that turns him into an over-sexed cartoon superhero (with a nod to Tex Avery)--sort of a more extreme take on Jerry Lewis' "The Nutty Professor". The film also boasted an extended song and dance sequence with Carrey belting out the Desi Arnaz rumba number "Cuban Pete.”
He followed these back-to-back successes with yet another box-office hit "Dumb and Dumber" (1994), which, though thin on plot, further showcased his flair for low-brow physical comedy. Carrey kept on rolling when he donned an orange wig and skin-tight green jumper to play the scene-stealing Riddler in "Batman Forever" (1995). Not unlike Jack Nicholson's Joker or Michelle's Pfeiffer's Catwoman, his villain purloined the film, walking away with the best lines and notices. The inevitable sequel, "Ace Ventura: When Nature Calls" (also 1995), opened with a record-breaking $40 million box office take its first weekend. Some thought it better than its precursor, but many considered it lazily conceived and Carrey's performance nowhere near as inspired the second time around. Although it featured the memorable sight of him passing through a hippopotamus.
The darkly comic "The Cable Guy" (1996) tanked at the box office, more because of a weak script and Ben Stiller's misguided direction than Carrey who made the most of the pitifully raw material. As a lonely, slightly menacing cable TV installer who infiltrates the life of one of his customers (Matthew Broderick), he got to punctuate his trademark craziness with touches of dramatic compassion, but not everybody appreciated the added elements to his performance. Carrey's core audience of kids who turned out expecting to see adolescent zaniness did not like the sinister aspects, and word of mouth killed the movie after its initial brisk business, ending his four-picture run of films that grossed over $100 million domestically. "Liar Liar" (1997) restored his "big money" credentials by earning more than $180 million by the end of the year. In a sophisticated role, he managed to put the farce over with his side-splitting antics while actually playing a recognizable human being, and his convincing sincerity gave every indication that his wish to be a serious actor was about to come true.
Trying to protect his privacy as a superstar, Carrey has engaged in some adrenaline-pumping, high-speed hijinks to avoid prying cameras. Extend that scenario to a world of media omnipotence, and who better to play Truman Burbank, the unwitting star of the most popular program on TV, "The Truman Show" (1998), a deliciously paranoid concept which married Norman Rockwell to George Orwell. Having broadened his palette with "Liar, Liar,” Carrey continued his progress away from the giant id of his early work under the expert direction of Peter Weir, eliminating the egregiously big mannerisms in the creation of an insurance man who begins to suspect a conspiracy around him and eventually learns that his whole life has been broadcast as a 24-hour-a-day television show. The combined brilliance of Weir and screenwriter Andrew Niccol provided Carrey an outstandingly successful change of pace role, and the actor's impressively disciplined performance earned him accolades. To quote Rob Friedman, an executive vice president at Paramount: "Anybody who said they weren't sure how Jim would do with something that might have been perceived as 'outside of his realm' now knows that there is no 'outside his realm.'"
Carrey campaigned heavily for the part of Andy Kaufman in "Man on the Moon" (1999), working with writer Judd Apatow and hiring a production crew to film an audition tape. Fresh from his triumph with Weir, he relished the opportunity to work with Milos Forman. The biopic offered the best of both worlds: As the wildly inventive Kaufman, Carrey could give full rein to his genius for impressions and improvisation while at the same time inhabiting the tortured soul of the late comic. In a classic example of art imitating life, he suffered neck injuries recreating the scene in which Kaufman injured his neck in the ring with pro wrestler Jerry Lawlor. Lawlor, playing himself, reacted to the actor's spitting in his face with a little ad-libbed pile-driving of his own. Many believed the event was nothing but a publicity stunt, and though Carrey's people insisted it was no stunt, it certainly blurred the line between character and performer. For all the prerelease hoopla, the film--although held together by Carrey's winning performance--was ultimately little more than a standard biopic, hitting all the significant milestones but offering little insight into what drove Kaufman.
Carrey next returned to anything-goes style comedy, reuniting with the Farrelly brothers for "Me, Myself and Irene" (2000), a far-out romantic comedy that pitted Carrey against himself--he played a man with split personalities—vying for the affections of Renee Zellweger. Although there were some inspired moments of sheer lunacy, the film failed to reach the comic highs of earlier efforts from both Carrey or the Farrelly's, due in part to an overload of gross-out moments and the darker shadings of one of Carrey's personalities. Vastly more satisfying was Carrey's next collaboration, playing the classic Christmas curmudgeon in a big-screen, live-action version of "Dr. Seuss' How the Grinch Stole Christmas" (2000) for director Rob Howard. Although the expanded screen story stumbled occasionally, Carrey carried the ball across the finish line in one of his wildest, and most appropriately cartoonish, performances yet—raking in tremendous box office receipts along the way.
In another apparent bid to gain further credibility as a "serious" actor, Carrey signed on to writer/director Frank Darabont's "The Majestic" (2001), a 1950s Capra-esque fable about a troubled, amnesiac Hollywood screenwriter who becomes mistaken for a small California town's long-lost WWII hometown hero. Carrey's earnest turn could not overcome a wealth of tepid reviews, and audiences skipped the film for the most part. Continuing his trend of balancing dramatic efforts with zany comedy, Carrey next became the titular protagonist of the hit "Bruce Almighty" (2003), a TV newsman who unexpectedly receives God's omnipotent abilities when the deity decides to take a break. The film reunited the actor with his "Liar, Liar" helmer Tom Shadyac.
Carrey delivered one of his best performances and most rewarding projects, teaming with director Michel Gondry and the notoriously off-kilter screenwriter Charlie Kauffman for "Eternal Sunshine of the Spotless Mind" (2004), a delightful serio-comic romance in which Carrey's Joel Barish undergoes a procedure designed to erase away all memories of his recently heartbreaking relationship with a impetuous free spirit (Kate Winslett) only to decide mid-process he wants to preserve her in his mind. Although the film was not a commercial blockbuster, it was easily the best attempt to tap both the actor's considerable serious and comedic talents to date. Later that same year he followed up with another bravura performance, this time in his more familiar high-comic mode, adding uproarious verve the other uneven adaptation of the children's classic tale "Lemony Snicket's A Series of Unfortunate Events" (2004) as the amusingly villainous Count Olaf.
Carrey then starred opposite Tea Leoni in the high-profile comedy, “Fun With Dick and Jane” (2005), a remake of the 1976 film starring Jane Fonda and George Segal. In the updated version, Carrey and Leoni played Dick and Jane Harper, a married couple so desperate to retain their deluxe suburban home and luxury cars after Dick loses his job that they resort to armed robbery—even if all they want is an iced mocha. Meanwhile, Carrey was cast against type in Joel Schumacher’s psychological thriller “The Number 23” (lensed 2006) wherein he played a man obsessed with an obscure book that he becomes convinced is based on his own life.
Also Credited As: James Carrey, James Eugene CarreyBorn: James Eugene Carrey on 01/17/1962 in Toronto, Ontario, CanadaJob Titles: Actor, Comedian, Comedy writer, Impressionist, Singer, Songwriter, Laborer, Painter, SculptorSignificant Others
Companion: Betina Holte. dating in 2003; no longer together
Companion: Carla Alapont. rumored to be dating as of July 2004; previously dated David Schwimmer; no longer together
Companion: Jenny McCarthy. romantically linked since December 2005
Companion: Renee Zellweger. became involved during filming of "Me, Myself and Irene"; separated in fall 2000 after an 18-month relationship
Education
Agincourt Collegiate Institute, Aurora, Ontario, Canada
Milestones
1977 Began performing stand-up comedy at the age of 15 at Yuk Yuks, a comedy club in Toronto (date approximate)
1979 Appeared in Las Vegas as opening act for comedian Rodney Dangerfield (date approximate)
1979 Returned to perform at Yuk Yuks (date approximate)
1981 Moved to L.A. at the age of 19 (date approximate)
1981 Portrayed a struggling stand-up comic in "Rubberface", a 48-minute Canadian TV-movie
1983 Appeared on "The Tonight Show"
1984 Feature acting debut, "Finders Keepers"
1984 TV series debut as star of "The Duck Factory", a short-lived NBC sitcom
1985 Portrayed a vampire's victim in "Once Bitten"
1986 Played a back-up singer to Nicolas Cage in "Peggy Sue Got Married"
1990 Was an ensemble member of "In Living Color", a popular Fox sketch comedy show; depicted a series of memorable characters such as Fire Marshal Bill and female body builder Vera De Milo; also wrote for the show; sometimes billed as James Carrey
1991 Headlined the Showtime comedy special, "Jim Carrey's Unnatural Act"
1992 Had rare TV dramatic role as a troubled alcoholic son in the Fox TV-movie "Doing Time on Maple Street"
1994 First film in a starring role, the surprise hit, "Ace Ventura: Pet Detective"
1994 First film with credit as song performer, "The Mask"
1995 Initial screen collaboration with the Farrelly brothers, "Dumb and Dumber"
1995 Signed contract for $20 million to appear in feature "The Cable Guy"
1996 "The Cable Guy" opened to mostly negative (some downright lacerating) reviews, breaking Carrey's four-picture string of pictures that had grossed $100 million domestically; film earned around $60 million domestically
1997 Rebounded with "Liar Liar", which did $20 million its first week and became one of the year's top grossing films (over $180 million); film reunited Carrey and "Ace Ventura, Pet Detective" director Tom Shadyac
1998 First dramatic lead in features, "The Truman Show", directed by Peter Weir; received a reported $12 million salary to star
1998 Narrated "Simon Birch", based on John Irving's novel "A Prayer for Owen Meany"; also appeared in a cameo
1999 Portrayed late comic Andy Kaufman in Milos Forman's "Man on the Moon"
2000 Had title role in the live-action "How the Grinch Stole Christmas", directed by Ron Howard
2000 Reteamed with the Farrelly brothers for the comedy "Me, Myself and Irene", co-starring Renee Zellweger
2001 Starred in "The Majestic", a romantic comedy set against the 1950s blacklist in Hollywood; played an amnesiac screenwriter
2003 Co-starred with Jennifer Aniston in the metaphysical comedy "Bruce Almighty"
2004 Co-starred with Kate Winslet as a couple who have their memories erased in "Eternal Sunshine of the Spotless Mind," written by Charlie Kaufman; received a Golden Globe nomination for Best Lead Actor (Musical Or Comedy)
2004 Portrayed Count Olaf in "Lemony Snicket's A Series of Unfortunate Events" based on the best-selling children's books by Daniel Handler
2005 Co-starred with Téa Leoni in "Fun with Dick and Jane" an update of the 1977 comedy, where a married couple turn to robbery to pay the bills
Had featured role in two Clint Eastwood vehicles, "The Dead Pool" (1988) and "Pink Cadillac" (1989); hired after Eastwood had seen Carrey do impressions of him
In the late 1980s, teamed with Judd Apatow writing stage material, creating characters like Fire Marshal Bill
Wrote a song for acoustic duo Tuck & Patti